
With all the hope and promise of building a rainbow nation following the collapse of Apartheid, racial tensions are once again brewing in South Africa and this deserves the world's attention.
The murder, recently, of South African white supremacist leader Eugene Terreblanche by two of his black workers has further polarized the country and raised the ugly specter of the kinds of racial violence that characterized the worst days of the apartheid era. This time however, the story is a bit more complex.
Eugene Terreblanche, by all accounts, was an objectionable figure who thrived on stoking racial animosities. He led the Afrikaner Resistance movement, the AWB, which viewed the end of apartheid as surrender to communism and threatened full scale civil war if President F. W de Klerk handed power to Nelson Mandela and the African National Congress. He even led a violent attempt to disrupt the dismantling of Apartheid.
The death of Terreblanche has been blamed on Julius Malema, the vocal and controversial leader of the Youth League of the ruling African National Congress. Widely seen as a divisive figure, even within the ANC, Malema is a close ally of President Jacob Zuma. White groups and opposition parties blame Malema for singing an apartheid-era song at rallies that include the lyrics “shoot the Boer [farmer].”
This is particularly sensitive given that several white farmers have been murdered in their farms since the end of apartheid. Although the ANC rejected the link between the song and Terreblanche’s murder, it accepted that the song and the debate around it was polarizing society and subsequently instructed its members to stop using it.
Julius Malema and his supporters have defied this instruction and continued to sing the songs at political rallies. Within the ANC there is talk of initiating disciplinary proceedings against Malema where he is expected to answer to an array of charges, including promoting racism. But given his influence within the party, it remains uncertain whether the ANC leadership has the will or incentive to follow through on this.
Julius Malema and his supporters justify the singing of the song with the offensive lyrics in terms of history and heritage. The lyrics “Kill the Boars,” they insist is not intended to encourage violence against white farmers but to evoke the anti-apartheid struggle. It is a lame excuse. Given the fragility of post-Apartheid peace in the country and the racial tensions that simmer just beneath the surface, nothing can justify the singing of this song – not even the evocation of history and heritage.
In the arguments of Julius Malema and his supporters, I find parallels with the arguments of those in the United States who insist on flying the confederate flag in public spaces in the name of history and heritage. Groups such as the “Sons of Confederate Veterans,” seek to preserve the history and legacy of Confederate heroes, often without regard to the sensitivity of many African-Americans, for whom the Confederate flag evokes a different history and legacy.
Like the Sons of the Confederacy, Julius Malema and his followers have chosen to turn a blind eye to the fact that their interpretation and evocation of history have adverse implications for the rights, safety and wellbeing of others. We must be wary of those who evoke history and heritage in ways that are insensitive to the pain and suffering of others. I am all for protecting the freedom of speech and expression but there must be limits imposed when one’s freedom of expression so clearly poses a threat to the sense of security of others within the community.
The South African government needs to do more to rein in the divisive racial discourses growing on all sides. It must send a strong message that history and heritage cannot provide an excuse for divisive racial discourses. Those who are keen on those symbols of their history and heritage that provoke racial animosities may continue to “enjoy” them in the dark privacy of their homes, but they have no place in the public square.







